The retro detonations of sci-fi classics are a lost art called "miniature explosions." Here's why those mattered, and why the debris of those moments impacted sci-fi filmmaking forever.

Directors Phil Lord and Christopher Miller wanted to balance CGI effects with real sets and physical elements as much as possible.

Sci-fi is an enduring genre on the small screen, even if the budgets couldn't always match the big screen, and these are the best sci-fi shows ever.

Titus Welliver’s role as “The Man in Black” on Lost offered a critical piece of background that fundamentally changed the ...

Project Hail Mary may not have used any green screens during production, but co-director Chris Miller has clarified that this ...

Ryan Gosling's new sci-fi film, Project Hail Mary, stands out from other blockbusters by avoiding digital green and ...

Amazon-MGM's entire 156-minute, big-budget sci-fi gamble was shot without any green (or blue) screen, Christopher Miller says.

It's just a prank, bro!

Ryan Heffernan is a Senior Writer at Collider. Storytelling has been one of his interests since an early age, with his appreciation for film and television becoming a particular interest of his during ...

Here’s a trailer for a horror short film titled Masks, from writer and director Andre LeBlanc. The story centers on a husband ...

OBEX, a very cool and unique new sci-fi movie, is available to rent and buy to watch at home now. Here's our review: ...

Project Hail Mary is the kind of ambitious science-fiction blockbuster that remembers something many movies in the genre forget: saving the world can be thrilling, emotional, and genuinely funny at ...